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skurrilsteer

essays and other texts
︎ The Riddle of Daedalus
︎ Blue-Slipped Stone-Burst
︎ The Depiction of Dissemination
 ︎ Listening and its not
︎ Inch by Inch, Bold Ghost
︎ The Marker
︎ The Task of the Impossible
︎ An Aphoristic Cloud
︎ A Melancholic Porch
︎ (PG)
︎ Representations 9
︎ Not to be Introduced
︎ Sound Observatory
︎ You Hear Intimate Proximity
︎ A Fingertip on Black Bulb
︎ Five Crystals

collaborations
︎ Altered Sites: On Psychedelic Architecture
︎ These Weak Kindnesses
︎ Müleskind
︎ A Golden Hour of Müleskind Radio
 ︎ Writing as Occupation
︎ Antelope Hotel
︎ ‘Thickening of Thought...’
︎ Displacement Activity
︎ 12 Angry Diagrams
︎ Labyrinth (Excerpts 54-66)
︎ Practice Compositon
 ︎ Objects of Conjecture
︎ Impromptus and Bagatelles
︎ 37.5 Fragments...
︎ The Bolting Houses

other writing
On Edward James
On Film
On Music
On Art

skurrilsteer documents the occasional writing, publishing, and exhibiting of David R J Stent

Contact



Mark

Practice Composition




Practice Composition was published to coincide with Sarah Hughes’s solo exhibition, One Dozen and Zero Units, at South London Gallery, 2016.
Mark

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